Friday, May 23, 2014

The Fusible Dilemma

…and the saga continues (sigh).  This crazy story is driving me to the funny farm. It's been almost 2 years in my quest to find the perfect fusible web to replace Steam A Seam 2.

The requirements are: 
  • Has to have a sticky back
  • Layering ability for up to 5 layers of fabric 
  • Can handle being ironed multiple times 
  • All layers can easily be quilted through   
If you can't wait until the end of the blog here's the conclusion: I'm still looking for that fusible. Oh, I think I just screamed!  I hope the neighbor didn't hear me (again)!

First of all, I need to get a couple things straight for all of you in the fusing world.  There are probably 15 different fusible webs on the market today, which means we have a lot of choices and that each quilt artist is using a different fusible web with a different technique in a different way.  This is not your grandma's fusing.  Most of us don't ever draw on the stuff anymore.

Don't assume because you have taken a particular person's class that I or others are using fusible web in the same manner. We’re not!  So make sure when the teacher says on their supply list to bring a certain fusible web, you bring it!



Now, let's get down and dirty about the fusible web dilemma, hopefully without crying.

My first realization is that manufacturers of these fusible products really have no idea how quilt artists are using their product and most of them don't care.  I estimated that last year I sold, in class, to my students, 3,000 yards of fusible web and that's not including what I used on my own artwork.  I’m pretty sure that's more than most shops sell in one year.


I guarantee you that most of the artists out there have never read the stupid instructions, either. We pick it up, we play around and see how we can manipulate it. Then bingo, there's a new book and were teaching all over the world and selling 3,000 yards of fusible web.


 Over the last 12 years I've been using Steam-A-Seam 2.  We all know by now that the Warm Company has taken it off the market. I don't really know what happened so don't ask me. I've heard all kinds of stories ranging from the building burned down to the company went bankrupt, to they all joined a cult and are now wearing purple. But I don't think any of those are true.

So now you, like me, are probably looking for something else to work with.
I have written this blog to share with you some of the information I found out about different fusible webs.  


NOTE: This information may not help you when taking somebody else's class. This is just for my technique and others who share my style. I think you are reading this blog because you've either been one of my students or are about to be or you just want to see what I found out.

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Misty Fuse - Misty Fuse is a great product but does not work the way I need it to for my technique.  Now remember, I'm talking about my technique. The problem I had was when I went to do the quilting.  The edges of the Misty Fused fabric started to lift up and curl on the edges as I quilted.  I’d press it down and it would come up again.  I don't like that look. Otherwise, it's a good product with a lot of creative ways to use it - but not for me.

Wonder Under 805 - There are famous art quilters that love this product but I DO NOT! This product does not work with my technique. Remember the requirement list from above?  I have used up to 6 layers of fabric on top of each other and Wonder Under is difficult to quilt through with that many layers and it seems to stiffen up the more I iron it, also. This is not good as I iron over and over.


Heat and Bond Lite – With Heat and Bond Lite you can quilt through it, which is good. I have used up to 5 layers of this product with no problem sewing through it but it does not have a sticky back, which means I have to use straight pins to hold it in place on my design wall and that gets kind of tricky when you have layers on top of each other and then try to move it - often the layers will fall off.
NOTE: If you buy the regular Heat Bond, not the LITE you will really be in trouble because it is too thick.


Soft Fuse - I get asked about Soft Fuse in every class. We did a classroom experiment in one class and found that Soft Fuse was just too thick to sew through when you started layering the fusible fabrics. 

Okay, so what does work?

EZ Steam by Pellon - It is sticky once you iron on the fabric. You can use multiple layers and still sew through it, plus you can iron it many times. The problem is it is really sticky so be careful when removing the release paper because if the sticky side flips back on its self you can't pull it apart like you could SAS2.
DO NOT, and I repeat, DO NOT buy EZ Steam ll or Lite EZ Steam ll, manufactured by the same company. You may want to reread that last line and embed it in your brain, especially if you're taking a class from me.  It’s a disaster to use. Don't assume that your quilt shop knows my technique or how we are using the fusible web in class, either.


OK, now stop panicking, I know it's hard to find but I have a solution.  If you are taking a class from me you can be guaranteed that I will be bringing bolts of this fusible web with me for each class. Yes, it raises my baggage fee for the guild another hundred dollars round-trip but I can't do anything about the extortion in the airline industry.  

I need you to have the right fusible web so you can be successful in my class and if the guilds don't pay for the extra bag, I pay for it so you will have what you need in my classes. I will also have it by the yard on my web site shop soon so check back. Plus, there might be a YouTube in the future on how to use it and the other products I am talking about.

Thanks for hanging in there with me in this blog.  Email me with questions and check out my new web site.



Happy fusing!

Sunday, March 30, 2014

Spring Cleaning the Studio

This week my new Bernina 750 QE arrived. Something happens to you when you receive a new sewing machine. 
I couldn't put this beautiful new sewing machine in my messy studio and you can't put a brand-new Mercedes in a messy garage. 

So I cleaned her table, scrubbed the floor, organized my threads and my sewing tools so I could welcome her to her new home properly.

I am pretty sure if she saw her new home in the state it was looking, she would have called Mr. BERNINA to come take her back. 

So now her home is clean and beautiful and I'm ready to be creative with her.

The 1st thing I needed to organize was my threads. They were in chaos after my last sewing project which is still not finished. 

I have an organized system for my thread but I haven't been home enough to keep things organized or even unpack my suitcase.

When I can see what I have more clearly I can always be more creative. Chaos does not equal creativity. Chaos equals frustration.

On the right side of my sewing machine I have a tin box that I keep my threads in while I'm working on a project. This way they don't roll all over the floor and I can keep them contained while I'm working.

But when the thread tin started to look more like Mount Fuji it was time to clean things up and get organized.



The funny thing is what I found in this messy little tin box.
There was some odd pairs of scissors, knitting needles, a bent crochet hook that I used to pry something and the cap to my glue stick that had rolled away.
I found a chip; yes, a potato chip, a big purple curler, fingernail file, toothpick, screwdriver for my sewing machine I'd been looking for, an ear plug, only one of course, and a Sierra Nevada beer bottle cap which I know belongs to my son who is lives in San Diego. How long has that been there?
But best of all I found 4 pairs of glasses I've been looking for since January.

Finally, I got around to organizing my threads and thought you would like to see how I keep my threads in order (sort of).

I like to organize things by color, of course.  So I have a bin for every color group. These are bins I got at Michael's in the scrap booking department.
I took the wheels off the cart that came with the bins and the whole unit slides right under the drawer of my sewing machine table. I've labeled all the bins with a Sharpie marker because I can't find my label maker which is in another mess I have to clean up. 
When I need a thread color I just pull out the appropriate bin.  When the little tin box on the side of my brand-new sewing machine piles up with colorful thread I know it's time to stop and organize for the next project.

Now I just NEED time for the next project.








Friday, March 14, 2014

International Quilting Day



“Celebrate International Quilting Day with me and TheQuiltShow.com beginning Friday, March 14 through Sunday, March 16. Everyone who signs on to TheQuiltShow.com will have FREE access to over 160 WebTV shows featuring some of the top quilting instructors in the world. You can also enter the TQS prize drawing with a grand prize of a BERNINA 550QE and wonderful fabric prizes. So check in at www.thequiltshow.com on Friday, March 14, and enjoy the shows and exploring The Quilt Show website. You can start with my show, Episode #501.”



Wednesday, February 12, 2014

Mr. Toucan

Mr.Toucan is the name of this quilt. It really could be Mrs.Toucan but I don't know how to tell the difference. Oh well, whatever it is he's getting stitch today.
This is a new pattern I designed for my upcoming Panama Canal Cruise.
In this blog I am showing the process of creating him from the beginning layers of fabric to the finished quilt top.
 Started with a pale lavender background fabric. The lavender gives depth and perspective it could be a rainy tropical jungle on a foggy day.
I made the leaves using an ice dying technique on the fabric. Which gives them so much color on one leaf. I think it gives the fabric the look of a watercolor painting. I can't wait to see the stitching.
When I get done quilting Mr. Toucan I will show you the detail of that also.
 My drawing is underneath my lavender background fabric. Because it's sheer I can see the lines of my drawing through it. But if you can't see through your background fabric. You could place a Teflon pressing sheet like, Fat Goddess by Misty Fuse size 21 x 27. This is my new favorite pressing sheet plus I like the name also.  Lay this pressing sheet over your drawing or pattern then build your flower or bird right on the pressing sheet. 
 
 When finished, press all the pieces together. Then peel up your bird and lay it on your background fabric.
I think this quilt will make a great class and will soon be a pattern on my web site.
For all of you that are dealing with snow and ice storms this blog is for you. Hopefully it'll take you away for a few minutes to tropical paradise.
Stay warm!